#traced from photo

[lillylunala]

If I had to guess…Gummigoo’s just a regular dog?

Wrong!

[ca1e70]

i havent seen the movie i hope nothing bad happens to him

[wolfclan-gen]

WOLFCLAN: MOON 5

WolfClan's youngest kits become apprentices. The neighboring clan formally introduces itself.

playing with a different style for the "cutscenes"

<< read from the beginning

[wyfern]

I needed more Arthur Morgan in @crowtrail 's style so i attempted to make some myself

[taxkha]

Happy valentines day __ Prints

[arttsuka]

ford and stan but as a two-headed creature

I was like 'man I don't feel like drawing that, I'll just do a quick photo edit/trace and be done with it'. This took me more than an hour.

I used these images to make that:

[snnybee]

Canary

[averaillisa]

wanted to draw furina in cute clothes so I put her in my favorite blue(ish?) outfits from my own wardrobe d(^w^)b

[gmaybe666]

who up and genuinely dreading the ending of succession, saw this quote from james cromwell and physically recoiled

[legolambi]

[multiver-s]

trying to get used to the shape of his face...<3

[ca1e70]

[blueskittlesart]

what’s your process when drawing simplified and/or detailed backgrounds? any tips or tutorials? thanks!

the tiktok art critics are gonna crucify me for this one but genuinely my answer is that i trace. i find a reference photo (emphasis on PHOTO, do not trace other people's work) or take one myself, overlay it in my drawing program, and trace that motherfucker. this is what i do for almost every background. I've been encouraged to do this in art school. because most of what i draw is from video games, I usually either take my own reference photos from the game in question or use an online model resource like noclip to get the precise angles that i need. csp also has a bunch of free 3d models of like classrooms and other common buildings. there is legitimately no reason to kill yourself trying to draw complex backgrounds from scratch, and by tracing you ARE actually intuitively learning about how perspective works and spaces are constructed. in the event that there IS some specific background i need to draw that doesn't already exist somewhere, i find a reference photo with similar vibes/perspective and alter it to fit my needs during the tracing process (i.e. if i need like. a very specifically furnished room that doesn't exist anywhere but my head, i find just a regular room in the perspective i need and then add the right furniture in as i go. i've also gotten very good at frankensteining reference pictures together, which, again is a literal actual skill they teach you in art school if you get an illustration degree.)

the most important thing in terms of backgrounds imo is making it so your characters don't look out of place in your backgrounds. the only foolproof way i know how to do this is to draw the background FIRST, and THEN put the character into it. trying to draw a scene around a character is always going to look a little off, imo, and it will almost always be easier to account for perspective on a character than on a full scene. I also like to color my characters either at the same time as my backgrounds or after the backgrounds, because, again, it's much easier (and makes more sense in terms of how lighting and color work) to adjust a character's color palette to fit a background & lighting situation than it is to do it the other way around.

[hoofpeet]

Teehee... many Femmet au (?) thoughts... This idea is like a cool rock I found and keep in my pocket to look at every so often

-Emmett (feminine spelling of Emmet apparently) transitioned after Ingo disappeared and moved on with her life. Ingo also somehow transitioned in Hisui.

-Emmet wears black lipstick + earrings to honor her 'sister,' but nobody outside of her friend circle is aware that she ever had a twin.

-Arceus eventually figures out what happened, panics, and sends Emmet to Hisui to reunite with her brother.

-Because of the transition, time spent apart, and Ingo's memory issues, Neither recognize each other. Despite this, they immediately become buddies anyway, mostly since Ingo is the only one in the village who matches her battling skills and, by extension, can talk with her abt battle strats. :]

-Because Ingo arrived in Hisui when he was ~12, he's only 25 and isn't considered an old man. Still Sneasler's warden but not as much of an outcast in the village as usual.

-He still has Luxa !! Luxa (as a litwick) came with him when he fell because she was still his only pokemon. Ingo maintained his interest in pokemon training/battling and still became one of the only people in Hisui who enjoys battling.

-Emmet's presence kickstart Ingo's memory a bit and he slowly starts to remember bits and pieces; eventually realizes that he also had a sibling named Emmet. Still takes a comically long time for either of them to connect the dots

[blueoctopussss]

Been thinking about what Ashton's FCG-inspired vest might look like, so here is a sketch based on that! I'm not 100% happy with it and I feel like it should maybe have a quote from FCG on it or something, but I'm posting it anyway because not everything has to be perfect.

I did make a long sleeve variant because they need warm clothes for the journey to Aeor, but I don't think it looks as nice.

[3dprintcess]

Alex in a hot tub: not humble, extravagant, shameful, good for brainstorming Alex in a hot pot: forbidden soup, snacc, F L A V O U R, good for dinner